Which prores is best
The compression can become problematic on certain files. Use when: Good for exports with a reasonable file size. Looks good, but not the best if you have to re-render it and color grade it a bunch of times.
This is our go-to codec when it comes to Proxies later more. We use this for our on the road workflows that require a small storage capacity at a high quality retain. It is a great codec to edit with. Also it looks good enough to export without significant quality loss for a client review. The data rate of Proxy is low which means the files are relatively small. Although the quality is also noticeably worse.
Would not suggest it for editing. If you want a codec with good playback in editing application while being small this can do the job for you. Use when: you are limited with storage for editing or have to send it over the internet. Use it when you need performance, like multicam editing. Otherwise go for the LT version. But they are time consuming to setup especially when working with large amount of files.
Therefore we developed a small tool in-house that does the batch conversion of RED. R3D files to ProRes for us. You can find more information about it on www. Now you know the differences of ProRes and the basics of chroma subsampling and bit-depth.
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February 24, at am. The final delivery from the editor with Premiere for tv broadcast is H Thanks a lot. Larry says:. Esther: Thanks for writing! Yuri Re says:. February 27, at am. I would disagree here.
Esther says:. February 28, at am. John Durst says:. John says:. February 25, at am. Great article!! Jesse says:. Technical Knowledge. The advantages of using Apple ProRes codec in post-production are: Reduced computer workload, thanks to image compression ProRes slightly compresses each frame of the captured video, reducing video data. High-quality images ProRes uses bit encoding to obtain better color information with an efficient compression rate.
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